AWAZine


Ai Wei WeiLa Commedia Umana

3,000 glass bones. A chandelier like death. But make no mistake.
This is about life.


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Technocultural Landscapes & The Beauty of the Discarded
Gonzalo García Gaitán paints in the space between nostalgia and critique.

Where obsolete screens become compound eyes, and volcanic ash turns into devotional hands. His paintings and installations resist speed, holding on to dust, debris, and memory as if they were the last witnesses to a technocultural landscape we no longer fully see.

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The Widowmaker The 930 wasn’t built to behave. It was built to bite.
Turbo lag like a sucker punch, snap oversteer like a death wish. Porsche’s Widowmaker didn’t ask if you were ready. 
It just hit. Hard. 

What began as a machine became myth. And that myth still has teeth.


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AWAZine


We highlight stories, spaces, objects and people that matter.
What we share is thoughtful, grounded and worth your time. 


Explore the latest in the AWAZine. Stay in the loop via our social channels.

This isn’t just a brand. 
It’s a point of view.

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When the King Met the President: Elvis, Nixon, and the Power of Personality Over Politics
In 1970, Elvis Presley walked into the White House uninvited and walked out with a federal narcotics badge and the most requested photo in U.S. history. It wasn’t politics. It was performance. The King didn’t come for policy; he came for power. And Nixon? He just wanted Elvis’s crowd. This wasn’t a meeting. It was a trade: charisma for credibility. A rock star could reach the people better than any politician. And that’s exactly why they let him in.

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XATARHe wasn’t just a rapper - he was proof.

Proof that  the children of no country, no map, no welcome could take up space without permission. From Kurdisch Mountains to Bonn backstreets, from prison bars to gold records, Xatar turned contradictions into anthems. He didn’t ask to belong - he made belonging look inevitable. And for a generation that scanned every screen for a sign that they exist, he was the answer.
 

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The house that remembers
Abdul-Wahed El-Wakil and the Soul of Islamic Architecture

Abdul-Wahed El-Wakil built for memory, not applause. 
Courtyards as lungs, domes as prayers, homes that held you instead of performing for you. In a world chasing speed and steel, he chose mudbrick and meaning.

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Manifesto
AWAZ is a platform for voices - raw, real, in progress.

We highlight what matters and share what resonates. Inspired by roots, shaped by curiosity.

Grounded, focused and always led by meaning.


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The XPan effect
Why a 1990s panoramic camera still feels more cinematic than any Instagram filter
Stillness over speed. Composition over content. Craft over convenience.

Because sometimes, one wide frame says more than a thousand swipes.



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